If you're interested in similar tips, you can watch our very own Ryan Koo's take or Film Riot's version. How to Use Chroma Key in Adobe Premiere The Adobe Premiere Pro platform allows editing through its Ultra Key tools, which is preferred by most videographers for their green screen footage. It's very simple tutorial to remember: shoot without moving the camera, import the clips on top of each other, mask and feather before finalizing the color. To finalize the look of all the clips, place an adjustment layer above to easily add a LUT or other color correction. To blend each layer, apply a mask feather or mask expansion to create a seamless background. Move through each clip, masking the character or item so it can be seen without it touching the others.
With your top video selected, use the ellipse, rectangle or free draw bezier tool to create a mask. In Adobe Premiere Pro CC, import your footage and stack each clip on top of each other. You may need to go back for a pick-up or two. Pro tip: Don't remove the floor marks until you've completed post. Setting floor marks for each character is another good idea, and you might want to use a stand-in or an object as an eye line. The most important thing to remember is to make sure your camera doesn't move. You'll also need to film the character multiple times depending on the interaction of the scene. For masking, consider minimizing busy backgrounds as it will be easier when combining multiple sources. While this video covers the masking technique, you could also use green screen or a little bit of both. Still, at heart, all effects need to contribute to telling your. Effects are the fun part of video editing because there are so many different options. The meat of the workflow starts at 2:00.īefore filming, you're going to need to figure out what method to use. In this short video tutorial, Larry Jordan illustrates different ways to create green-screen keys (also called chroma-keys) using both good and, um, awful footage in Adobe Premiere Pro. Filmmaker Peter McKinnon has created a tutorial on how to create such an effect using Adobe Premiere Pro CC as well as Photoshop CC.
Think Ewan McGregor in Fargo season three.įilmmakers have used body doubles, split screens and editing tricks like L-cuts or J-cuts to accomplish the look, but as many of you already know, today's visual effects and editing software has made it much easier, even for beginners. Things start to unravel when the clones duplicate themselves–into less competent versions–to free up their own lives.Įssentially, cloning is used to give the impression that two or more similar-looking characters are interacting with one another in a scene. If you haven't seen it, Doug Kinney, played by Michael Keaton, duplicates himself to manage his busy schedule and family life. Want to clone yourself? Want to clone yourself?ĭirector Harold Ramis wasn't the first to use the technique, but the 1996 comedy Multiplicity comes immediately to mind when thinking about the use of cloning as a story device.